Raffaele Ciotola was born in Naples on the 17th of October 1964. His loving and receptive family promoted his studies and supported supporting his artistic nature. He obtained the Artistic High School School graduation and got the Master of Arts degree at the state institute of Arts "F.Palizzi" in Naples in 1983.
Since he was a boy he has been devoting his life to painting in a professional manner; after his debut in 1980 at an exhibition in his hometown, he kept on taking part in other collective and personal exhibitions set up in several Italian cities until 2002 (Piano di Sorrento, St. Anne in Naples, Milano, Viterbo, Milan). He was awarded the gold medal at the National Biennial of Sacred Art in Torre del Greco in 1980 by prof. Mr Franco Girosi, a famous Neaolitan artist of the last century. It was foundamental for his training, the meetings with prof. Mr Franco Girosi and with Mr Luigi Signore, an artist known as one of the best sculptors of cribs in Italy today. He studied music and attended the voice class at the Conservatory of Naples, but the meeting he had in Rome in 1987 with Master Mr Renato Guelfi, opera singer and painter, was so crucial to his professional growth that he started performing as a singer in some Italian theatres (Lecce, Santa Maria di Leuca, Ronciglione, Villa Pignatelli in Naples). He got to obtained some rewards such as: the gold medal in "La Triade" Prize, Palazzo Sormani - Sala del Grechetto - Milano; the diploma of honor at St. Anastasia, Naples. His personal exhibition in Tuscia dates back to 2002 , in this occasion he exhibited for the first time at the Sala Anselmi in Viterbo.
His painting style and production are characterized by an intense use of colours and by the chiaroscuro effects conveying a whole creative freedom and a boundless vital energy, without hiding any strong and eloquent emotion, leaving the viewer a hope, a light , the one that leads beyond any solitude and that blurs roles and social conventions. In fact, from the late 90s, his work is more focused on topical issues and feels the effect of his civil commitment against homophobia and discriminatory behaviors, so it became a vehicle to spread some nonconformist messages, even inspired by universal ethical values. In 2003 he created the artistic movement called "Stop Homoph Art" which aims to spread the culture of respect and fight against homophobia. From this battle, "The Madonna of homosexuals" came to life, it became the emblematic work of his production and will be exhibited for the first time in the foyer of the Mercadante Theater in Naples on the 18th of October 2014. So his landscapes and his dreamlike hermetic metaphysical views of the first period, they have been gradually replaced by works full of reflection and judgment which are well received by public and by critics, attracting the attention of Mr Jean-Louis Cougnon, Chief Excecutive at General Managment of European Parliament.
Prof. Ms Michaela Marconi Demaldè
'' THE MADONNA OF THE HOMOSEXUALS ''
LA MADONNA DEGLI OMOSESSUALI
IN MEMORY OF THE HOMOSEXUAL VICTIMS MURDERED BY THE NAZIS
ART AGAINST HOMOPHOBIA
" STOP HOMOPH ART "
The Movement was founded in 2003, Italy by Raffaele Ciotola.
The scope of the movement is to discourage racist attitudes and homophobic behaviour that arise when a glbt homosexual work of art is exhibited to the public. The idea is to spread cultural awareness and respect in the struggle against homophobia. Mr. Ciotola firmly believes that painting, like music, is a direct and universal Language sending messages and spreading ideas with even more immediacy than literature. In fact, his works express the cultural structures involving the male and female, of love between men,love between women, transgender experiences,discrimination,violence and refusal. "The Artist creates freely in the struggle against prejudice and ignorance. Through his creativity he attacks the very source of homophobic attitudes and bravely upholds a revolution in new cultural standards of behaviour. It is both necessary and urgent to achieve this goal, to be trusting and win trust,where difference actually makes the difference and is enrichening;where the beholder of the work of art may find room for his emotions. This movement arises from the need to spread a message coming from the heart, but that is too often filtered by society in terms of religion or politics, and therefore often distorted and hypocritical. This deprives the person of their dignity,sense of freedom and respect as an individual. The most important work of Raffaele Ciotola is the "Madonna of the Homosexuals", painted between 2003 and 2007 and dedicated to the many thousands of homosexual victims murdered by the nazis. The artist attempts to express in this oil painting the immense grief experienced in his very soul by creating a work of art of great ethical and moral value thus creating the very manifesto of "Stop Homoph Art". The iconic impact is unusual and differs from the traditional Virgin and Child; the language is straightforward and nonconformist. In the the painter's words: "I chose Maria as an historical and religious figure, because she alone can represent a work of art meant to communicate a genuine feeling of love and goodness. The brushstrokes are at times few and fragmented in the soft folds of the dress of the female figure,and then more precise and detailed in the outline of her face and in the decorative and symbolic elements. Colour is used in different shades and contrast with the cold and warm tonalities and the complementary colours of the blue and orange cloak. The light is soft coming from the very face of the Madonna as if she were radiating a cosmic energy embracing humanity itself. The composition rests on a central axis where the Holy Child with the globe in its hand, rests on the clasped hands of the Virgin Mary. The symbols grasped in the other hand by the holy child depict the symbols of the homosexual world. The delicate chiaroscuro enhances further the vertical effect. More symbols and decorations are present on the frame itself, together with the title, and from right to left of the virgin's halo, are the Alfa and Omega which symbolize God and Eternity, the Beginning and the End. The pink triangle was sewn on the uniforms of the gay victims by the Nazis according para §175 StGB Law inhibiting homosexual behaviour and represents the movement that the artist Raffaele Ciotola has created, inviting all to support it, in the name not only of humanity but of human rights. Art can play a fundamental role in the struggle against prejudice and specifically, homophobia. Art can teach to tolerate homosexuality and in the words of Picasso :
In the face of human tragedies, Picasso once said "Artists cannot and must not be indifferent".
Prof.sa Michela Marconi Demaldè
The main character of my work is Mary, whom I portrayed not as a religious figure, but as the timeless historical mother symbolizing immense love - the kind that accepts, protects and supports every single human being unconditionally and without distinction. The Madonna not only embraces in a single gesture Jesus the Child, but all humankind, represented by the terrestial globe she holds in her hand. Her loving gaze is not only directed at her Son but also embraces all those sons who are homosexuals, represented by gay male and female symbols which the child Jesus clasps in his hand.In order to bind even more closely the madonna to her homosexual children, I chose the same heraldic symbols above her head using the colours of the Gay flag and two bouquets. Those very flowers have two meanings:the one means happiness for homosexual unions whilst the other is in remembrance of all those homosexual victims who tragically and unjustly met their death. I mean all the victims who are officially registered in the documents but have been forgotten for too long. The nazi victims especially, who suffered discrimination and fear of gender difference caused by ignorance and the fact that homosexuality is a condition and not a choice. Society has ignored for too long who the "pink triangles" were and it seems that the gay community has also forgotten today. With this work, I would like to awaken the memory of so much suffering and also stir the consciences of all concerned by offering this token of remembrance through the holy Lady which I have portrayed. I am convinced that no other than she could express the suffering of all those families who lost their sons only because they happened to be 'different'. Many things are slowly changing today in many countries . The GLBT community is gradually becoming more and more respected thereby restoring the hopes and dreams denied so cruelly to the homosexual victims of Nazism. In my simbolic portrayal, Mary is the mother of humankind, oblivious to differences, dispensing her Love to all.
'' L' INCIUCIO ''
Oil on canvas 50x70
Painting of the artist Raffaele Ciotola
Princess Diana and Dodi Al-Fayed
Towards the end of June 2009 will not remember the exact day, I had a dream very special. I dreamed of being a spectator in front of a sad scene that I conveyed a feeling of great wonder and inquetude. The next morning when I woke up immediately decided to make a 'work in my opinion, very special, and so I reported on the canvas the whole scene I had witnessed in the dream.
'' THE TRICK ''
(Oil on canvas 50x70)
Painting by the Artist Raffaele Ciotola dedicated to Lady Diana and Dodi Al-Fayed.
Towards the end of July 2009, I don't remember excatly the day, I had a very special dream. I found myself as spectator facing a sad scene, I was feeling a sense of uneasiness and big amazement. When I woke up in the morning, I decided to create soon a work which become very special to me, so I reported on canvas the whole scene I saw in my dream.
The painting gives a overview with sever chromatic tones highlighting the threatening look of the huge building, while the miniature of people attending that event appears as passionate. There are two levels in the painting: the impressive royal building Buckingham Palace which acts as backdrop for the Princess Diana's solemn funeral, and in the foreground the protagonists of this scene. The British Royal Family is represented by the Queen Elizabeth who, with her approving look, blesses her son's loving gesture: Prince Charles welcomes Camilla's striving hands, his future wife. On the opposite side, the presence of Dodi Al-Fayed emerges among the crowd, and on his shoulder Diana glumly lays her head. In the predominant dark grey and mournful scene, the red colour of the British uniforms officially symbolizes the historical moment, however it also reminds the two lovers' blood, who prematurely left this world. The tragedy is implied in this dark-lighted painting, it involves each detail of the painted surface which seems to pant and breath. The glances, the body movements, the light gestures, all conveys the sobriety and the intensity typical of the deepest passions of human soul. The whole painting is crossed by a light fever that is perceived through some outlined gestures, some whispered words, some movements which are the sign of an irrevocable Destiny. The realistic description of Lady Diana's funeral becomes a dreamlike suggestion where the characters seem to live before and after death. This is a historical representation, ment in the usual sense of term, where we find heroes, martyrs, tyrans, crowds, events, in this way M. Ciotola work is located inside time, in the big story. This is an expression of an earthly truth, but also this is a temporary perception of time passing by, of a presence and of a soul which is as vulnerable and as enigmatic as we are.
Prof. Ms Michaela Marconi Demaldè
'' THE CHILD THAT IS IN US ''
Oil on canvas 90x90
'' THE BUTTERFLY ''
'' THE CONTEMPORARY ART HAS A HEART ''
Oil on canvas 70 x 100
'' THE PROCESSION OF ST. BARTHOLOMEW ''
Oil on canvas 50 x 70